![]() It’s like Nolan said “What if I make a remade of Michael Mann’s Heatset in Gotham City?” as he envisioned his Batman sequel in the mid-2000s. It’s not interested in fan service instead, it simply wants to weave an elaborate morality play with the main players being comic book characters. The Dark Knight is a neo-noir disguised as a comic book movie and that’s what makes it so good. However, Nolan used The Dark Knight as an excuse to make a crime drama. There are comic book principles he followed, such as Batman’s unwillingness to kill or use guns. When adapting the source material, Nolan viewed the comics as a guide, not a map. No filmmaker better understands spectacle and the process of “eventizing” a film than Nolan. Thanks to his commitment to originality and prowess in practical effects, Nolan is one of the few filmmakers who can sell a movie on his name alone.
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